"Rivals The Girl on the Train as a compulsive read (and beats it for style). -- Observer (UK)In the vein of Fiona Barton's The Widow and Renée Knight's Disclaimer, a psychological thriller about a war reporter who returns to her childhood home after her mother's death but becomes convinced that all is not well in the house next doorbut is what shes seeing real or a symptom of the trauma she suffered in Syria?The One Person You Should Trust Is Lying...