Originally published: Great Britain: Little, Brown, 2003.

Includes bibliographical references.

In the declining years of the rule of the Medici over Renaissance Florence, an atmosphere of enlightenment and sophistication prevailed; gorgeous art, relaxed mores, and intellectual freedom were the order of the day. But the puritan ideologue Savonarola began to exert ever more control over the city, and was turning it, bit by bit, into a totalitarian theocratic city-state, burning art and banning books with abandon. It is in this atmosphere that Alessandra, an unusually educated woman, must make the choices of he life: a marriage of convenience to her brother's homosexual lover and a dangerous fascination with the intense, mystical painter who comes to decorate her parents' chapel. As the world becomes increasingly unsafe for her, she must choose her own path and retain her own individuality.