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"Chabon has always been a magical prose stylist, adept at combining the sort of social and emotional detail found in Philip Roth's Goodbye, Columbus stories with the metaphor-rich descriptions of John Updike and John Irving's inventive sleight of hand. . . . As in his novels, he shifts gears easily between the comic and the melancholy, the whimsical and the serious, demonstrating once again his ability to write about the big subjects of love and
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